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X-men first class song1/3/2023 ![]() ![]() In fact, “First Class” is set in 1962, the same year that Dr. Then it is no coincidence that the titles for X-Men: First Class echo Maurice Binder‘s iconic Main Title for Dr. “He wanted the title sequence to feel like it was set in the same time period as the movie,” says Clowes. One thing that Simon Clowes picked up from the brief was that the director loved the early James Bond titles. Out of all the various concepts made by different designers at Prologue, Vaughn selected four designs to elaborate on and finally settled on the cleanest, simplest design of them all – a Maurice Binder-inspired board which was made by Simon Clowes. Instead of going for a slick, “3D heavy” title sequence for X-Men: First Class – like the titles for the previous movies in the franchise – director Matthew Vaughn made it perfectly clear in his brief to Prologue‘s executive producer Kyle Cooper that he didn’t want to go down that route, and he sticked to that. I certainly can't wait for a sequel and inclusion of Scott and Jean from the original trilogy.Daniel Kleinman Interview Simon Clowes, Prologue Films (2011) There is more to offer and more depth to appreciate. In the end, they succeeded in re-establishing these characters in a superb and interesting manner. Fast paced yet filled with depth, spellbinding visual effects and a gripping finale. The overall impact of this film leaves you with a great sensation of a job well done. I have to add that the score had a perfect heroic theme but was also moving and very well done. Vaughn did a brilliant job and Singer's vision from the first two films stayed in tact and was enhanced. The collaboration between Singer and Vaughn apparently was a perfect blend. The retro design is suave and making this a period piece gives it a cool and unique flavor. It delivers great action, humor, effects and a strong connection between heroes, villains and those developing in between. First Class never undermines the audience nor talks down to them and does all that is expected of it. Xavier is a shining example and his journey throughout the film matches that of Erik. During the second half, plot threads move towards resolution and action picks up. The viewer can simply sit and watch it unfold but also be emotionally invested in the journey. Both sides of the fence (Xavier's vision and Magneto's contempt) are advanced and the brilliance of the plot is that both sides are understandable and relatable. This new spin on familiar "bad guys" Magneto and Mystique does give the actions and emotions for the characters a new level of appreciation and helps give them so much more depth and pathos. Establishing these characters and the entire universe is done remarkably well and in a remarkably moving manner. There are plenty of big action scenes throughout but it's the first half of the film that really impresses. ![]()
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